Ali’s varied series of works represent strategies of examining perception and observation of the things she sees. Using different materials, sizes, and mediums, she is always urging the work to push the boundaries of language – that is, what is recognizable and therefore can be named. [1]
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[1] Edges: The boundary is the active space (collide, merge, permeate, etc.) and the erotic space (Roland Barthes: the erotic is neither this nor that; it is the seam between the two).








